Name: shadowsong26
Story: Contact
'Verse: Lux
Colors: Shadow #5. breaking and entering, Isabelline #2. You're just a little bit too much like me, Electric Purple #12. Your former glories and all the stories/Dragged and washed with eager hands/But ohh oh your city lies in dust, my friend (Siouxsie & The Banshees- Cities in Dust)
Supplies and Materials: brush (ad hominem), stain (“Nothing better than legalised mass murder.” - Harry Patch, the last surviving British soldier from the WWI trenches - on war), feathers, fabric, modeling clay, charcoal, novelty beads ('Luka' by Suzanne Vega, glitter (nightmare), glue ("It may be difficult to believe that the outcome will be positive since you can see both sides of the issue quite clearly.")
Word Count: 581
Rating: R
Characters: Lux, Mariko
Warnings: Strong implications of an abusive relationship, references to murder and being set on fire.
Notes: Constructive criticism welcome, as always. The scars Lux refers to are six going down her back, in roughly parallel lines of three. This takes place early in Part Two, about ten years after the other Lux piece I posted.
( Mariko waited for the palm-plate outside her office to let her in )
Story: Contact
'Verse: Lux
Colors: Shadow #5. breaking and entering, Isabelline #2. You're just a little bit too much like me, Electric Purple #12. Your former glories and all the stories/Dragged and washed with eager hands/But ohh oh your city lies in dust, my friend (Siouxsie & The Banshees- Cities in Dust)
Supplies and Materials: brush (ad hominem), stain (“Nothing better than legalised mass murder.” - Harry Patch, the last surviving British soldier from the WWI trenches - on war), feathers, fabric, modeling clay, charcoal, novelty beads ('Luka' by Suzanne Vega, glitter (nightmare), glue ("It may be difficult to believe that the outcome will be positive since you can see both sides of the issue quite clearly.")
Word Count: 581
Rating: R
Characters: Lux, Mariko
Warnings: Strong implications of an abusive relationship, references to murder and being set on fire.
Notes: Constructive criticism welcome, as always. The scars Lux refers to are six going down her back, in roughly parallel lines of three. This takes place early in Part Two, about ten years after the other Lux piece I posted.
( Mariko waited for the palm-plate outside her office to let her in )